From Otago Daily Times page 38 of Weekend 21-22 January 2006

Artist's distinctive touch enlivened city's amenities


By Richard Dingwall

Returning home one rainy evening in 1987, John Noakes saw a group of children huddled in a dark, graffiti- covered bus shelter in Dunedin and thought he could do something to brighten it up. He approached local community groups and got support for his idea of decorating the shelter.

In this way, the project that was to occupy him for the next 15 years was born.

That first bus shelter, at Company Bay, was a community effort, with local people providing paint and Mr Noakes supervising and providing the design. The idea caught on and he painted several for free before the city council took over responsibility for the shelters and he became a paid employee.
John William Noakes
Artist and designer

John Noakes as caricatured
by himself.

In all, some 60 or so bus shelter murals are adorned with Mr Noakes' distinctive art. He had favourite themes. Space exploration featured in many of his designs, and sport was popular. He liked to match his designs to their locations. Many of the harbour side shelters have maritime themes.

He sent his design for the Dublin Bay bus shelter to the Lord Mayor of Dublin and received a friendly letter. He was delighted when Barry Colman, owner of the Careys Bay pub offered a $5001 reward for the return of his painting of the ship John Wickliffe, stolen from the local bus shelter. Jokingly, he offered to paint a new one for $5 and claim the reward.

Painting bus shelters proved ideal for his talents. It gave him an outlet for his imagination as well as a chance to exercise his sense of humor. It brought him adulation, which he, enjoyed. For all his self deprecation John Noakes liked to be regarded as a working artist.

Painting bus shelters also suited his temperament. He was a precise draughtsman and set himself exacting standards, but was uncomfortable with bureaucratic oversight. In retrospect, it was perhaps no great surprise that he took offence when the city council required him to become an approved contractor under its revised health, and safety provisions. He refused to sign a new contract and was subsequently told his services were no longer required.

His indignation was widely reported and he clearly enjoyed the public fight, portraying himself as a little guy, an artist, who was impatient of petty bureaucratic meddling. In the end, however, he did sign the new contract - but regretted it immediately and in November 2002, he announced that he had painted his last bus shelter mural.


Artist John Noakes in front of one of his bus shelter designs.

John Noakes was born in London in 1938, the only child of John and Molly Noakes. Among his earliest memories was returning from sheltering in an air raid shelter during a German raid on London in World War 2, to find a hole in the ground where the family home had been and fragments of furniture on the roof of the shelter at the end of the street.

At school, he showed. a talent for art, and from 1955 to 1968 worked as an exhibition designer at the Earls Court Exhibition Hall and thereafter as a kitchen designer and then an interior designer for a large British hotel group.

When working on a Russian exhibition, he was delighted to meet Russian cosmonaut Yuri Gagarin in an elevator. They shook hands and exchanged greetings in Russian and English.

It was at this time that John met his future wife, Jennepher, and they married at the Fulham Town Hall in 1972. Shortly afterwards, they came to her home town of Dunedin, where they lived at Broad Bay for the next 35 years.

Once in Otago, he worked as a display artist. He was also briefly employed as a draughtsman by the Otago Catchment Board, and had a five-year spell with TVNZ as a set designer, working on shows such as Play School and Spot On. In 1978, he was commended for this work in designing a new desk and set for the regional newsroom.

In 1986, he received his first public commission, which was to enliven the newly opened Children's Pavilion at Dunedin Hospital. He spent 14 months, painting the 194 murals. This work was well received and several years later he was approached again by Healthcare Otago to decorate the new children's emergency department.

He received several awards. In 1990, he was commended for his work on the bus shelters, and, as a result of a competition, it is his logo that greets visitors as they enter the Maniototo.

Mr Noakes liked a joke and had a ready smile. In 2005, he spent some time in hospital and he brought cheer and laughter to his fellow patients. When it became apparent that his illness was not treatable, he bore this news with philosophical calm, enjoying the company of his family for a last birthday in December.

He loved the skiffle music of his youth and requested that several songs by the group The Vipers be played at his funeral. Among these was I know the Lord has his hands on me, but, with typical humour, he asked that the last tune in the service be Long Tall Woman in a Black Dress by 1960s British group The Hollies.

John Noakes, who died on January 5, aged 67, is survived by his wife, Jennepher, and his son, Neal.


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